Three Dimensions

Architecture, sculpture, installations can all be found in Jerusalem and always the unexpected.  There is always something new to see or experience and much that stays the same.  That’s easy to do when you are in a place that’s been around for many thousands of years.  Our final day included a visit to the Israel Museum, where sculptures abound.

Life Within the Walls

We visited a small museum in an old house in the Old City built 500 years ago and typical of architecture in the Mediterranean with an internal courtyard, small and cramped rooms, with the courtyard serving as the center for family activities.  Cooking was not done in the house because of ventilation problems, and each family had their own corner in the courtyard for that purpose.  Although living conditions in Jerusalem remained unchanged for generation, and the Old City was quite inhospitable, at the turn of the century progress had been made for affluent residents though not for the majority.  During the British Mandate (1917-1948) electricity came to Jerusalem and wealthier families could hook up to the grid.

The museum is set up to simulate one of these buildings.  One unique thing is that the room that simulates the synagogue is the room where the Ari was born.  The “Ari” which means lion is the name given to Isaac Luria, a famous rabbi and mystic, considered the father of Kabbalah.  While he may have been born here his main following and attention (including a famous synagogue with his name and location of his burial) are in Safed in the north of Israel.

 

The Storeroom

A friend in Mendocino has a cousin who has worked in the antiquities department of the Israel Museum for over 30 years.  His speciality is art from the 3rd to 5th centuries (so ancient Rome to Byzantine).  We met at the museum and he spent several hours taking us “behind the scenes”.  It was amazing and I’m sharing some of what we saw.

True to its title of storeroom, these are shelves and shelves of ossuaries (bone boxes). When a person died in ancient Israel their body was laid in a family burial cave for one year and at the end of that year the bones were collected and placed into one of these boxes and still kept in the cave along with other family members.
True to its title of storeroom, these are shelves and shelves of ossuaries (bone boxes). When a person died in ancient Israel their body was laid in a family burial cave for one year and at the end of that year the bones were collected and placed into one of these boxes and still kept in the cave along with other family members.
Shelves to the ceiling contain all sorts of pieces, reconstructed and otherwise. On the bottom here is a huge urn that is more reconstruction than actual pieces of marble, likely a gift to Herod from a Roman general in Egypt.
Shelves to the ceiling contain all sorts of pieces, reconstructed and otherwise. On the bottom here is a huge urn that is more reconstruction than actual pieces of marble, likely a gift to Herod from a Roman general in Egypt.
We talk about archaeology in class and here you can see what the museum gets from the archaeologists that has to be studied and perhaps put back together. This is a close up of one of the boxes you'll see in the next image.
We talk about archaeology in class and here you can see what the museum gets from the archaeologists that has to be studied and perhaps put back together. This is a close up of one of the boxes you’ll see in the next image.
Parts from a synagogue in northern Israel. We heard about many excavations taking place right now in small villages around the Sea of Galilee in northern Israel.
Parts from a synagogue in northern Israel. We heard about many excavations taking place right now in small villages around the Sea of Galilee in northern Israel.
Very grand are architectural elements like these columns about to be shipped back to Herodium, to be placed in a new section that has been restored. Herodium was a pleasure place built on the top of a hill by Herod sometime around 23 BCE.
Very grand are architectural elements like these columns about to be shipped back to Herodium, to be placed in a new section that has been restored. Herodium was a pleasure place built on the top of a hill by Herod sometime around 23 BCE.
A close up of the columns shows you how the drums were put back together as they likely were excavated in pieces.
A close up of the columns shows you how the drums were put back together as they likely were excavated in pieces.
Also from Herod's time is this giant tub that looks like it was made from alabaster. We were told that Herod always used materials from the site, never bringing things from other places. This tub which was meant to be outdoors (with heated water- a hot tub without the jets) was carved from some local stone that has the appearance of marble.
Also from Herod’s time is this giant tub that looks like it was made from alabaster. We were told that Herod always used materials from the site, never bringing things from other places. This tub which was meant to be outdoors (with heated water- a hot tub without the jets) was carved from some local stone that has the appearance of marble.
Lead clamps on the side of the tub where it cracked. This object too is being made ready to return to the site.
Lead clamps on the side of the tub where it cracked. This object too is being made ready to return to the site.
They are working on an upcoming exhibition on 3rd to 4th century synagogues and in preparation they are collecting and restoring all kinds of objects. A restored synagogue wall was in the last blog post. These are pieces from a screen at the front of an ancient synagogue in Gaza. The museum has had these pieces since the 1960s and apparently there were many synagogues there in ancient times. This frame is clear so the back side can be traced and the elements that are missing can be added in some other material so that the viewer gets the sense of how it looked when it was in its full glory.
They are working on an upcoming exhibition on 3rd to 4th century synagogues and in preparation they are collecting and restoring all kinds of objects. A restored synagogue wall was in the last blog post. These are pieces from a screen at the front of an ancient synagogue in Gaza. The museum has had these pieces since the 1960s and apparently there were many synagogues there in ancient times. This frame is clear so the back side can be traced and the elements that are missing can be added in some other material so that the viewer gets the sense of how it looked when it was in its full glory.

 

 

Mosaics are a huge part of any site from the 3rd to 5th centuries and beyond. We got to see several pieces that have recently been excavated and as you can see are in the process of restoration for the show. This one includes the name of the donor (nothing new here).
Mosaics are a huge part of any site from the 3rd to 5th centuries and beyond. We got to see several pieces that have recently been excavated and as you can see are in the process of restoration for the show. This one includes the name of the donor (nothing new here). What is new is the imagery of the menorah (not the Chanukah one, the seven branched one from the Temple) which shows the flames facing the same direction on each side towards the center taller one. You can see where the restorers have drawn in the pieces that are missing.

 

At first glance this looks like ordinary workers or perhaps the image of the Tower of Babel as the central figures look like they are fighting. What it is, is an image of building the first Temple in Jerusalem.
At first glance this looks like ordinary workers or perhaps the image of the Tower of Babel as the central figures look like they are fighting. What it is, is an image of building the first Temple in Jerusalem.

 

This fragments was so interesting especially since this is the portion of the Torah (Jewish bible) that is being read right now in synagogues across the world. The depiction is of the parting of the Red Sea and the drowning of the Egyptians as they chase the Israelites. Oddly on the other side of the sea is a temple, not in the biblical text- artistic license I suppose.
This fragments was so interesting especially since this is the portion of the Torah (Jewish bible) that is being read right now in synagogues across the world. The depiction is of the parting of the Red Sea and the drowning of the Egyptians as they chased the Israelites. Oddly on the other side of the sea is a temple, not in the biblical text- artistic license I suppose. The chariots are collapsing and there is a giant fish.
Another fascinating synagogue that will be included in the exhibition has a mosaic floor that is already on display and has been in the museum's collection for a long time. It is a large mosaic detailing the rules of Shmita (the biblical injunction that says the land must be left fallow every seventh year). We were in Israel during a shmita year and if you look back in the blog posts you'll find quite a bit about this. This particular mosaic goes into extreme detail about what can and cannot be planted, harvested, and eaten during that year.
Another fascinating synagogue that will be included in the exhibition has a mosaic floor that is already on display and has been in the museum’s collection for a long time. It is a large mosaic detailing the rules of Shmita (the biblical injunction that says the land must be left fallow every seventh year). We were in Israel during a shmita year and if you look back in the blog posts you’ll find quite a bit about this. This particular mosaic goes into extreme detail about what can and cannot be planted, harvested, and eaten during that year.
We often talk about how ancient writing is deciphered and here you can see it in action. The same synagogue that has the mosaic floor about shmita had frescoed walls of inscriptions (no imagery). Here you can see how they put the pieces of fresco back together and then figure out what it says.
We often talk about how ancient writing is deciphered and here you can see it in action. The same synagogue that has the mosaic floor about shmita had frescoed walls of inscriptions (no imagery). Here you can see how they put the pieces of fresco back together and then figure out what it says.
One of the museum's functions is to collect, display, and also to lend. Here you can see one of the drawers (there are many) of oil lamps which were used by all the different civilizations in the ancient world.
One of the museum’s functions is to collect, display, and also to lend. Here you can see one of the drawers (there are many) of oil lamps which were used by all the different civilizations in the ancient world.
Here is a modest but very fine collection that was given to the museum by a private collector whose interest was Christian pilgrims. As they traveled they collected souvenirs (as people still do). The object you see in the foreground is a drinking flask with Christian symbols on it.
Here is a modest but very fine collection that was given to the museum by a private collector whose interest was Christian pilgrims. As they traveled they collected souvenirs (as people still do). The object you see in the foreground is a drinking flask with Christian symbols on it.

 

A beautiful glass jar with has a Christian arch on the front.
A beautiful glass jar which has a Christian arch on the front.
Most interesting was this amulet that shows a saint on the front made from some kind of earth material that was claimed to have restorative properties so the pilgrim who purchased this could shave off a little, mix it with water when he or she was ill and be restored to health.
Most interesting was this amulet that shows a saint on the front made from some kind of earthen material that was claimed to have restorative properties so the pilgrim who purchased this could shave off a little, mix it with water when he or she was ill and be restored to health.

 

 

 

 

The museum is very excited to have been asked for some works to be lent to an Islamic Museum in Paris. This is a first for them both. Good will?
The museum is very excited to have been asked for some works to be lent to an Islamic Museum in Paris. This is a first for them both. Good will?
These are oil lamps that will be lent with glass vials that hold the oil hanging down through the holes you see.
These are oil lamps that will be lent with glass vials that hold the oil hanging down through the holes you see.
A demonstration of the lamps. Imagine the beautiful blue glow that would result.
A demonstration of the lamps. Imagine the beautiful blue glow that would result.
Several years ago there was a large exhibition about Hadrian, the Roman emperor who traveled and conquered widely and was quite accomplished in many ways. One of the controversies in this part of the world is that he changed the name from Canaan to Palestina. As you can see he was quite a confident and handsome man. The first emperor to grow a beard. The next several followed suit.
Several years ago there was a large exhibition about Hadrian, the Roman emperor who traveled and conquered widely and was quite accomplished in many ways. One of the controversies in this part of the world is that he changed the name from Canaan to Palestina. As you can see he was quite a confident and handsome man. The first emperor to grow a beard. The next several followed suit.
In preparation for that exhibition one of the curators who thought the hairstyle wrong for that time period created a plaster bust with a different "doo". The rest of the face stayed exactly the same. Isn't it remarkable how different they look.
In preparation for that exhibition one of the curators who thought the hairstyle wrong for that time period created a plaster bust with a different “doo”. The rest of the face stayed exactly the same. Isn’t it remarkable how different they look.
Here is one of the only bronze busts of Hadrian in the world. The mystery is that this was transported with troops from one place to another and this one was somehow left behind when the garrison moved on. Who knows why so they are planning to excavate in the area to see if they can solve the puzzle. This one was found buried by a local person who was using one of those metal detectors looking for ancient coins!
Here is one of the only bronze busts of Hadrian in the world. The mystery is that this was transported with troops from one place to another and this one was somehow left behind when the garrison moved on. Who knows why so they are planning to excavate in the area to see if they can solve the puzzle. This one was found by a local person who was using one of those metal detectors looking for ancient coins!
Another mystery from the same area is this very large fragment of inscribed marble touting Hadrian's importance found in the same area. The pieces are as big as those found in the Pantheon in Rome. Why and why here?
Another mystery from the same area is this very large fragment of inscribed marble touting Hadrian’s importance found in the same area. The pieces are as big as those found in the Pantheon in Rome. Why and why here?
As we moved from the storeroom to the galleries of the museum for a few tidbits of a private tour we saw works from Beit Shean. An amazing huge site in northern Israel that I blogged about last summer. As you can see some things, especially delicate works that would not survive outside stay in the museum.
As we moved from the storeroom to the galleries of the museum for a few tidbits of a private tour we saw works from Beit Shean. An amazing huge site in northern Israel that I blogged about last summer. As you can see some things, especially delicate works that would not survive outside stay in the museum.
This Aphrodite was excavated at Beith Shean in 2001. She is remarkable because she still has some of the paint pigment on her. We see sculptures from this time and assume they were pure white marble when in fact they were fully painted with vivid colors. Once buried much of this disappears if not all so this is an exceptional work.
This Aphrodite was excavated at Beith Shean in 2001. She is remarkable because she still has some of the paint pigment on her. We see sculptures from this time and assume they were pure white marble when in fact they were fully painted with vivid colors. Once buried much of this disappears if not all so this is an exceptional work.
Before departing from our amazing tour we were treated to two more mosaics, this one of King David playing his lute. This is the oldest known synagogue mosaic from Hamam near the Sea of Galilee. The dating of these mosaics is currently a controversy as it has been dated from the 3rd to 4th centuries though some say in is 5th to 6th centuries. Stay tuned if this interests you.
Before departing from our amazing tour we were treated to two more mosaics, this one of King David playing his lute. This is from the synagogue at Hamam near the Sea of Galilee. The dating of these mosaics is currently a controversy as it has been dated from the 3rd to 4th centuries though some say in is 5th to 6th centuries. Stay tuned if this interests you.

 

 

Samson (the giant) attacking the Philistines.
Samson (the giant) attacking the Philistines. This one also found at Hamam.   This is a site I had not heard about before but definitely want on my list for future trips.

Graphics and Graffiti

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In Jerusalem you see lots of “hats” and head coverings and black hats are very common. The styles vary depending on the group one belongs to. This ad on the back of a bus would only be relevant in Jerusalem with the array of black hats on the bundles of bamboo that are used during the holiday of Sukkoth for roofing material. This ad is obviously outdated since Sukkoth was in October.

We learn a lot about the place we find ourselves when we see graphics and graffiti.  Sometimes we find them joined together as you will see here.

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This is a play on words: Mench means man in German and in Yiddish it means a well behaved person. In this context the Handy Mench (Handy Man) must be a really nice guy.

 

The awning of this store says you need the lottery in your life and that they sell hot and cold drinks, popsicles, calling cards, newspapers, and cigarettes.  You see many awnings like this with different varieties of things they sell...
The awning of this store says you need the lottery in your life and that they sell hot and cold drinks, popsicles, calling cards, newspapers, and cigarettes. You see many awnings like this with different varieties of things they sell…Looks like the national lottery must supply the awnings.
Always thought Paul Newman had beautiful eyes.  This is one of the painted doors in Machane Yehuda (the outdoor market) with stores and stalls all around.  Each outside door is painted by an artist named Solomon Souza.  He's very busy!
Always thought Paul Newman had beautiful eyes. This is one of the painted doors in Machane Yehuda (the outdoor market) with stores and stalls all around. Each outside door is painted by an artist named Solomon Souza. He’s very busy!
Jerusalem is full of cats, all feral who are into multiple generations since the British brought them here to take care of the rodent problem.  Not many rodents but many many cats.
Jerusalem is full of cats, all feral who are into multiple generations since the British brought them here to take care of the rodent problem. Not many rodents but many many cats.
The cats make the most of the considerable amount of garbage available in this city especially the first week we were here when there was a garbage strike.  Only the cats were happy about it.
The cats make the most of the considerable amount of garbage available in this city especially the first week we were here when there was a garbage strike. Only the cats were happy about it.
This makes it look a lot better than it is in actuality.
This makes it look a lot better than it is in actuality.
Enjoyed this very detailed graphic on the wall of a construction zone- reminded me of some of Breughel's prints (we'll see some of them in the Baroque period).
Enjoyed this very detailed graphic on the wall of a construction zone- reminded me of some of Breughel’s prints (we’ll see some of them in the Baroque period).

 

 

 

Nabateans

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Known as the monastery or the treasury at Petra, ca. 5th century BCE. It is a facade which only goes back a short way inside and is completely devoid of decoration inside.

Who were the Nabateans? At its peak the Nabatean Empire stretched from Yemen to Damascus and Western Iraq to the Sinai desert though no one knows for sure.  They were a mysterious group of travelers and traders so it’s hard to know the true extent of their empire.  Even though it is known they were literate they left little written record of their lives.  We know them from the spectacular architecture, especially the magnificent site of Petra.

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Metal sculpture in the Negev simulating a caravan of Nabateans.
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Ein Avdat, on the top of a ridge was a caravan stopping off place between Petra and the Mediterranean, and ultimately on to Rome.
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Traveling through the desert (Negev in Hebrew), we came upon this sculpture that reminds me of the Moai ancestor figures of Easter Island. In the distance is a Bedouin village. The Bedouins were nomads like the Nabateans and some still are though most live in semi-permanent villages.
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The lines you see along the hillside are remnants of terraces built by the Nabateans for farming and there is some evidence they even had vineyards.
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This also gives you an idea of the terrain of the desert region of Israel.
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The visitor center for Mitzpe Ramon (the Ramon crater) which is not really a meteor initiated crater, rather the largest “machtesh” in the world. This is the visitor center for Israel’s largest national park.
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The “machtesh” is 40 kilometers long, 2-10 kilometers wide, and 500 meters deep. Hundreds of millions of years ago this area was covered with ocean which receded to leave only the Dead Sea. 5 million years ago rivers carved out the inside of the crater and it continued to deepen rapidly as the rock was much softer than surrounding areas.
Israeli astronaut Ilan Ramon who was killed in the shuttle disaster in 2003. He took the name Ramon because of this landscape, as it reminded him of what it must look like on the moon.
The black cinder cone you see shows that there was also volcanic activity in this area.
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Israeli astronaut Ilan Ramon who was killed in the shuttle disaster in 2003 took the name Ramon because of this landscape, as it reminded him of what it must look like on the moon.
Nubian Ibex are a very common sight, equivalent to deer in our part of the world.
Nubian Ibex are a very common sight, equivalent to deer in our part of the world.

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No need to go to Russia

Not what you think.  I’ve always wanted to visit the Hermitage Museum in St. Petersburg but not much else in Russia so that seems like a long way to go for a museum.  Now I don’t have to go (or not anytime soon).  The exhibit at the Foundation Vuitton was an amazing collection of art from the Hermitage.  I learn something new almost every day, and this was one of those times that I said to myself, “how come I never heard of this man before”?  Sergei Shchukin was one of the greatest collectors of French modern art very similar to Gertrude Stein and her family. The collection included Monet, Matisse, Picasso, Cezanne, Gauguin, Van Gogh and of course the important early 20th century Russians.  Once Lenin nationalized the collection and Stalin asserted that art was “bourgeois” the collection was placed in public art collections at the Hermitage and Pushkin Gallery in Moscow.

This is the first time since the work was initially collected that it makes its appearance in France, where most of it was created and first exhibited.   If you are a Matisse fan as I am hope you can imagine seeing so many of the most iconic works in one place so unexpectedly.  We will be learning about all these artists this semester (unless you are in the ancient art class-sorry but more is coming for you in the next few days).

On a side note:  The color on the outside of the museum is a temporary site specific work by Daniel Buren.  If you want to see more of his work go to:

Daniel Buren: Artnet

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Monet, ” Seagulls, River Thames in London”, 1904
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Monet, “Luncheon on the Grass”, 1856. Certainly a different take on this theme than Manet’s “Luncheon on the Grass.”
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Monet, “Vetheuil,” 1901
Edward Burne-Jones, "Adoration of the Magi", tapestry, 1886-1902. It's so interesting to see this painter's work in tapestry that looks like one of the Raphael cartoons for tapestry since this artist is a Pre-Raphaelite.
Edward Burne-Jones, “Adoration of the Magi”, tapestry, 1886-1902. It’s so interesting to see this painter’s work in tapestry that looks like one of the Raphael cartoons for tapestry since this artist is a Pre-Raphaelite.
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Picasso, study for “Saltimbanques”
Gustave Courbet - 020 Le chalet dans la montagne - Хижина в горах - vers 1875 - 33 x 49 - Acheté vers 1899 - cat. 1918, 70 - cat. Pouchkine J 3542
Gustave Courbet, “Chalet in the Mountains”, 1874. Unusual to see a small landscape by this artist known for his massive figurative paintings.
Pissarro, "Avenue de l'Opera, Snow Effect", 1898
Pissarro, “Avenue de l’Opera, Snow Effect”, 1898
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Matisse, “Bois de Boulogne”, 1902
Cezanne, "The Aqueduct," 1890
Cezanne, “The Aqueduct,” 1890
Photo of one of the rooms showing the collection as it was in Moscow.
Photo of one of the rooms showing the collection as it was in Moscow.
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Matisse, “The Red Room”, probably his most famous painting that you will be learning about this semester.

 

Gauguin, "Sunflowers", 1901. Gauguin and Van Gogh were close friends and worked side by side until Gauguin left Europe for the South Pacific. Wonder if he was thinking about his old friend when he painted this.
Degas, “Dancer Posing fo a Photographer”, 1875. An interesting image considering that Degas himself used photography to capture dancers and then paint them in his studio without the model.
Gauguin, "The Flight", 1901. Most of his religious paintings were completed when he was still in France so it's unusual that he did this in Tahiti, including local people in the image.
Gauguin, “The Flight”, 1901. Most of his religious paintings were completed when he was still in France so it’s unusual that he did this in Tahiti, including local people in the image.
Gauguin, "Sunflowers", 1901. Gauguin and Van Gogh were close friends and worked side by side until Gauguin left Europe for the South Pacific. Wonder if he was thinking about his old friend when he painted this.
Gauguin, “Sunflowers”, 1901. Gauguin and Van Gogh were close friends and worked side by side until Gauguin left Europe for the South Pacific. Wonder if he was thinking about his old friend when he painted this.

 

 

 

 

 

 

 

 

 

 

 

 

Picasso, "Woman with a Fan", 1909
Picasso, “Woman with a Fan”, 1909
Sub Sahara, wood sculpture, 19th century
Sub Sahara, wood sculpture, 19th century.  It’s easy to see how much Picasso was influenced by these figures he would have seen in the museum in Paris at the turn of the century.
Picasso, "Absinthe Drinker", 1901. Shchukin said of Monet and Picasso: "If, with Claude Monet everything flows, Picasso's hand makes everything solid....where in Matisse's work, there are just silhouettes, with Picasso, there are just volumes."
Picasso, “Absinthe Drinker”, 1901. Shchukin said of Monet and Picasso: “If, with Claude Monet everything flows, Picasso’s hand makes everything solid….where in Matisse’s work, there are just silhouettes, with Picasso, there are just volumes.”
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Matisse, “The Goldfish”, 1912
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Matisse, “The Pink Studio”, 1911
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matisse, “Still Life with Blue Tablecloth,” 1909
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Matisse, “Arum Lilies, Irises, and Mimosa” in a Blue Vase”, 1912
3RD-M8-Y29 K.Malewitsch, Station ohne Halt Malewitsch, Kasimir 1878-1935. 'Station ohne Halt. Kunzewo', 1913. Oel auf Holz, 49 x 25,5 cm. Inv.Nr.11926 Moskau, Tretjakow-Galerie. E: Malevich / A Non-Stop Station: Kuntsevo Malevich, Kasimir 1878-1935. 'A Non-Stop Station: Kuntsevo', 1913. Oil on wood, 49 x 25.5cm. Inv.Nr.11926 Moscow, Tretjakov Gallery. F: Malevitch, Kazimir , 1878-1935. Malevitch, Kazimir , 1878-1935. 'Station sans arret. Kunzewo', 1913. Huile sur toile, H. 0,49 , L. 0,255. Inv.Nr.11926 Moscou, Galerie Tretiakoff.
Malevich, “A Non-Stopping Station”, 1913
Malevich, "Suprematic Architecture Model", 1927
Malevich, “Suprematic Architecture Model”, 1927
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Tattling, Counter Relief, 1916

Dwellings

Ancient dwellings called bodies were domed dry masonry buildings made from limestone with walls up to 4 ft. thick.  They date from 2000 BCE and were regularly rebuilt using the ancient methods until the 19th century when they were abandoned.  Around 3000 of these structures many standing singly in fields (to store things or for short term shelter) or grouped like this in villages can be found around Provence.  This village was restored in the mid 20th century.  They are all built facing away from the north to avoid the mistral a strong wind that blows (and has been blowing every day since we’ve been here).  We haven’t minded since it helps mitigate the heat but we are told can blow up to 100 miles an hour.Borie VillageScalestreetsheep and peoplestairsarch

 

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They call them Flemish Primitives

Hans Memling, Jan van Eyck, Rogier van der Weyden, Hugo van der Goes were amazing artists of the Flemish school of the 15th century.  While Italy was in full blown Renaissance, northern Europe was still transitioning from the Gothic style and conventions of the Middle Ages.  So these artists were called “primitives”.  It’s a term that couldn’t be more misleading.

Hans Memling’s paintings were serene,motionless, expressionless scenes of extreme devotion that was quickly fading in the rest of Europe.  He became extremely successful because Europeans who passed through Bruges fell in love with it, took it home with them and thereby affected art making in many other places.  His work is exquisite in its painting quality, attention to detail and miniature elements, landscape, and of course ability to tell a story.  The Memling Museum is located in the former St. John’s Hospital which actually functioned as a hospital until 1975.  The museum has some of Memling’s best work combined with work of some of his peers and various hospital related tools, furniture, and depictions of medical care dating back to the Middle Ages.  Upstairs was an interesting photographic exhibit by an American photographer (sorry forgot to write down his name) who spoke with hospitalized patients who were close to death and asked them about their illness, how they felt about dying, what they regret, who they love, do they believe in God (a fair number did not), and how do they want to be remembered.  It was powerful especially in this place.

St. John's hospital
The Memling Museum is located inside St. John’s Hospital.
From the canal side of the hospital an array of beautiful old windows.
From the canal side of the hospital an array of beautiful old windows.
A display of medical instruments from the 15th century, in this case for eye surgery.
A display of medical instruments from the 15th century, in this case for eye surgery.
How about this portrait of the eye surgeon? Hope his hair doesn't fall into the victim's (patient's) eye.
How about this portrait of the eye surgeon? Hope his hair doesn’t fall into the victim’s (patient’s) eye.
A devotional work by Memling from 1489 (Diptych of Martin van Nieuwenhove) includes some Renaissance elements that give it some realism. The figures appear to be occupying the same space in the same room and behind Mary is a tiny mirror that shows both their back's as a device similar to Van Eyck's mirror in the "Arnolfini Portrait". Having the donor included in a portrait with Mary and Jesus gives him security for the world to come.
A devotional work by Memling from 1489 (Diptych of Martin van Nieuwenhove) includes some Renaissance elements that give it some realism. The figures appear to be occupying the same space in the same room and behind Mary is a tiny mirror that shows both their back’s as a device similar to Van Eyck’s mirror in the “Arnolfini Portrait”. Having the donor included in a portrait with Mary and Jesus gives him security for the world to come.
Memling's St John's Altar in the main chapel
Memling’s St John’s Altar in the main chapel, , 1474. This would be the place one would come to pray for healing for a family member or themselves in the hospital.

 

St John Altar
This is the central panel of “The Mystical Marriage of St. Catherine,” There is so much going on in this work and if you are interested I’m giving you a link. Notice the amazing fabrics, the flow of cloth, unbelievable details, luminous color in the interior scene as well as the town behind.
In class you've asked what the outside panels look like so here is the back right panel. The altar would most of the time be closed and only opened for special ceremonies.
In class you’ve asked what the outside panels look like so here is the back right panel. The altar would most of the time be closed and only opened for special ceremonies. The women are probably the nurses of the hospital at the time it was painted.
Left side, showing the patrons who would have paid for the panel and officials of he hospital.
Left side, showing the patrons who would have paid for the panel and officials of he hospital.
Detail of St. Barbara (the equivalent of Rapunzel), notice her elaborate hairstyle.
Detail of St. Barbara (the equivalent of Rapunzel), notice her elaborate hairstyle.
This reliquary that contains remains of St. Ursula (martyred with 11,000 virgins at Cologne) is quite elaborate. We talked about this work when looking at the Northern Europe Renaissance as an example of the cross over from Gothic to Renaissance. Each panel is like a stained glass window. I’m including a link so you can see the amazing detail and also the motionless and expressionless style of Memling.
Side panel that shows Ursula about to be beheaded by the Huns.  In the background you see the Cologne Cathedral where you will find the bones of the 11,000 virgins.
Side panel that shows Ursula about to be beheaded by the Huns. In the background you see the Cologne Cathedral where you will find the bones of the 11,000 virgins.
I chose one portrait of a woman and one of a man.  Sorry you can't read their statements and what the wrote in their own hand.
I chose one portrait of a woman and one of a man. Sorry you can’t read their statements and what the wrote in their own hand.

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Travel Bits and Bites

I’ve looked at lots of blogs in the course of putting this one together and wanted to keep this on a more serious note partly because I’m also in the midst of teaching two art history classes and am excited to share as much with my students as I can since I can’t have them here with me.  But there are some things that just don’t fit into that “serious” thing so this post will cover those other things. Hope you’ve enjoyed this little journey- we certainly did.

For the car we rented, we wished we had a bumper sticker that said “Avis made us rent this car.”  It was twice the size of any other car on the road and now that you’ve seen how narrow some of the streets in these towns are you can see what a disadvantage that is.  We figure here in Sicily perhaps this car makes us appear to be part of that group that you are not supposed to mention (you know the one that sparked a TV show about “singers” in the opera).  It’a a good rationalization for the looks we get from passersby.  We turned it in filthy, from road dust, lots of bird poop from parking under trees, and plenty of scratches but don’t worry we never met insurance we didn’t feel we had to buy.  A man we met at the AVIS counter asked Jeff how he enjoyed the car as I guess it’s considered a “luxury” model and Jeff’s response was just get all the insurance.

About the cats, it truly makes us feel we were in a Mediterranean country, and one more tied to the Middle East since the British brought cats to Israel and Egypt when they were part of their empire to take care of the rats.  Since the British were probably the only ones who were not in Sicily (except maybe during WWII) we can blame the French or anyone else you like.  Anyway, they are only annoying if you have food otherwise they have virtually no interest in you.  Saw very few stray dogs but they haven’t got the pooper scooper thing yet so in addition to being sure we didn’t sprain something by stepping into a hole we had to watch out for that as well.

For those who are reading this blog and are Jewish you know that we are in the midst of a whole season of continuous holidays.  Sukkot (the one we are in now) is one of my favorites and probably the one I miss not celebrating at home the most.  So, we were delighted to find a “sukkah” restaurant in Ragusa.  The food has been very good though the beef is nor very high quality and there is no chicken on the menu in Sicily so if you are not a seafood eater you are probably a vegetarian by now.  We are having no problem in that department though finally figured out that we were eating too much and are ordering much less.  Hard to imagine that people can eat an appetizer, a first course (pasta), a main course, and dessert.

So last night we were in our last hotel, and I dreamt that the hotel had a section of floor that was from the 3rd century.  We of course went in search of it (in my dream) and did find it in some out of the way corridor and were the only ones “looking” at it.  Kind of a funny dream but made me think about how we had, as one of my students put it, “stood in the temples” and I am amazed to think that we spent so much time immersed in ancient history that is still with us today though who knows for how long.  We are happy to come home to one of the places people go on vacation instead of vice versa.  By tomorrow it will probably seem like we never left.

Catania

Catania is our last stopping off point on this trip and we’ve explored the town for two days now.  It is dominated by Mt. Etna which is 10,000 feet and reminds us of Mt. Shasta though at this time of the year it has no snow.  According to Thucydides, the city was founded in 729 BCE by Greek colonists.  It was flooded with lava, shaken by earthquakes and yes, razed to the ground in 1693.  The city today is the result of 18th century rebuilding that includes broad straight streets (though there are many little alleys as well), unevenly shaped piazzas and a different color of stone from the lighter colors you see elsewhere in Sicily.  Unfortunately there is quite a bit of graffiti everywhere which detracts but we’ve seen some interesting things and our hotel is a bit out of the way (cruise ships come here) so we’ve had some great meals in local restaurants and found this a great way to end the trip.

On our last morning in Catania we went to see one last sundial in the church called San Nicolo l’Arena.  This one is quite large, crossing the whole transept but the strange thing is the church is completely empty and filled with dusty chandeliers, niches, and even confessionals.  It was a strange last church to see.

We fly to Rome for one more night and then make our way back to the US.